"How the h.e.l.ls do you expect me to write a whole new book in thirty days?" I demanded.

He shrugged, looking sleepier and less interested in my problem than ever. "If you can"t, you can"t. Then you"ll just have to give back the advance," he told me.

I calmed down fast. "Well, no," I said, "there"s no question of having to do that. I don"t know about finishing it in thirty days, though-"

"I do," he said flatly. He watched me shrug. "Have you got an idea for the new one?"

"Mark," I said patiently, "I"ve always got ideas for new ones. That"s what a professional writer is. He"s a machine for thinking up ideas. I always have more ideas than I can ever write-"

"Do you?" he insisted.

I surrendered, because if I"d said yes the next thing would have been that he"d want me to tell him what it was. "Not exactly," I admitted.

"Then," he said, "you"d better go wherever you do to get ideas, because, give us the new book or give us back the advance, thirty days is all you"ve got."

There"s an editor for you.

They"re all the same. At first they"re all honey and sweet talk, with those long alcoholic lunches and blue-sky conversation about million-copy printings while they wheedle you into signing the contract. Then they turn nasty. They want the actual book delivered. When they don"t get it, or when the censors say they can"t print it, then there isn"t any more sweet talk and all the conversation is about how the aediles will escort you to debtors" prison.

So I took his advice. I knew where to go for ideas, and it wasn"t in London. No sensible man stays in London in the winter anyway, because of the weather and because it"s too full of foreigners. I still can"t get used to seeing all those huge rustic Northmen and dark Hindian and Arabian women in the heart of town. I admit I can be turned on by that red caste mark or by a pair of flashing dark eyes shining through all the robes and veils - suppose what you imagine is always more exciting than what you can see, especially when what you see is the short, dumpy Britain women like Lidia.

So I made a reservation on the overnight train to Rome, to transfer there to a hydrofoil for Alexandria. I packed with a good heart, not neglecting to take along a floppy sun hat, a flask of insect repellent, and - oh, of course - stylus and blank tablets enough to last me for the whole trip just in case a book idea emerged for me to write. Egypt! Where the world conference on the Olympians was starting its winter session . . . where I would be among the scientists and astronauts who always sparked ideas for new science-adventure romances for me to write . . . where it would be warm . . .

Where my publisher"s aediles would have trouble finding me, in the event that no idea for a new novel came along.

Chapter 2.

On the Way to the Idea Place No idea did.

That was disappointing. I do some of my best writing on trains, aircraft, and ships, because there aren"t any interruptions and you can"t decide to go out for a walk because there isn"t any place to walk to. It didn"t work this time. All the while the train was slithering across the wet, bare English winter countryside towards the Channel, I sat with my tablet in front of me and the stylus poised to write, but by the time we dipped into the tunnel the tablet was still virgin.

I couldn"t fool myself. I was stuck. I mean, stuck. Nothing happened in my head that could transform itself into an opening scene for a new sci-rom novel.

It wasn"t the first time in my writing career that I"d been stuck with the writer"s block. That"s a sort of occupational disease for any writer. But this time was the worst. I"d really counted on An a.s.s" Olympiad. I had even calculated that the publication date could be made to coincide with that wonderful day when the Olympians themselves arrived in our solar system, with all sorts of wonderful publicity for my book flowing out of that great event, so the sales should be immense . . . and, worse than that, I"d already spent the on-signing advance. All I had left was credit, and not much of that.

Not for the first time, I wondered what it would have been like if I had followed some other career. If I"d stayed in the civil service, for instance, as my father had wanted.

Really, I hadn"t had much choice. I was born during the s.p.a.ce Tricentennial Year, and my mother told me the first word I said was "Mars". She said there was a little misunderstanding there, because at first she thought I was talking about the G.o.d, not the planet, and she and my father had long talks about whether to train me for the priesthood, but by the time I could read she knew I was a s.p.a.ce nut. Like a lot of my generation (the ones that read my books), I grew up on s.p.a.ceflight. I was a teenager when the first pictures came back from the s.p.a.ce probe to the Alpha Centauri planet Julia, with its crystal gra.s.ses and silver-leafed trees. As a boy I corresponded with another youth who lived in the cavern colonies on the Moon, and I read with delight the shoot-"em-ups about outlaws and aediles chasing each other around the satellites of Jupiter. I wasn"t the only kid who grew up s.p.a.ce-happy, but I never got over it.

Naturally I became a science-adventure romance writer; what else did I know anything about? As soon as I began to get actual money for my fantasies I quit my job as secretary to one of the imperial legates on the Western continents and went full-time pro.

I prospered at it, too - prospered reasonably, at least - well, to be more exact, I earned a liveable, if irregular, income out of the two sci-roms a year I could manage to write, and enough of a surplus to support the habit of dating pretty women like Lidia out of the occasional bonus when one of the books was made into a broadcast drama or a play.

Then along came the message from the Olympians, and the whole face of science-adventure romans was changed forever.

It was the most exciting news in the history of the world, of course. There really were other intelligent races out there among the stars of the Galaxy! It had never occurred to me that it would affect me personally, except with joy.

Joy it was, at first. I managed to talk my way into the Alpine radio observatory that had recorded that first message, and I heard it recorded with my own ears: Dit squab dit.

Dit squee dit squab dit dit.

Dit squee dit squee dit squab dit dit dit.

Dit squee dit squee dit squee dit squab wooooo.

Dit squee dit squee dit squee dit squee dit squab dit dit dit dit dit.

It all looks so simple now, but it took a while before anyone figured out just what this first message from the Olympians was. (Of course, we didn"t call them Olympians then. We wouldn"t call them that now if the priests had anything to say about it, because they think it"s almost sacrilegious, but what else are you going to call G.o.dlike beings from the heavens? The name caught on right away, and the priests just had to learn to live with it.) It was, in fact, my good friend Flavius Samuelus ben Samuelus who first deciphered it and produced the right answer to transmit back to the senders - the one that, four years later, let the Olympians know we had heard them.

Meanwhile, we all knew this wonderful new truth: we weren"t alone in the universe! Excitement exploded. The market for sci-roms boomed. My very next book was The Radio G.o.ds, and it sold its head off.

I thought it would go on forever.

It might have, too ... if it hadn"t been for the timorous censors.

I slept through the tunnel - all the tunnels, even the ones through the Alps - and by the time I woke up we were halfway down to Rome.

In spite of the fact that the tablets remained obstinately blank, I felt more cheerful. Lidia was just a fading memory, I still had twenty-nine days to turn in a new sci-rom and Rome, after all, is still Rome! The centre of the universe - well, not counting what new lessons in astronomical geography the Olympians might teach us. At least, it"s the greatest city in the world. It"s the place where all the action is.

By the time I"d sent the porter for breakfast and changed into a clean robe we were there, and I alighted into the great, noisy train shed.

I hadn"t been in the city for several years, but Rome doesn"t change much. The Tiber still stank. The big new apartment buildings still hid the old ruins until you were almost on top of them, the flies were still awful, and the Roman youths still cl.u.s.tered around the train station to sell you guided tours to the Golden House (as though any of them could ever get past the Legion guards!), or sacred amulets, or their sisters.

Because I used to be a secretary on the staff of the proconsul to the Cherokee Nation, I have friends in Rome. Because I hadn"t had the good sense to call ahead, none of them were home. I had no choice. I had to take a room in a high-rise inn on the Palatine.

It was ferociously expensive, of course. Everything in Rome is - that"s why people like to live in dreary outposts like London - but I figured that by the time the bills came in I would either have found something to satisfy Marcus and get the rest of the advance, or I"d be in so much trouble a few extra debts wouldn"t matter.

Having reached that decision, I decided to treat myself to a servant. I picked out a grinning, muscular Sicilian at the rental desk in the lobby, gave him the keys for my luggage, and instructed him to take it to my room - and to make me a reservation for the next day"s hover-flight to Alexandria.

That"s when my luck began to get better.

When the Sicilian came to the wine shop to ask me for further orders, he reported, "There"s another citizen who"s booked on the same flight, Citizen Julius. Would you like to share a compartment with him?"

It"s nice when you rent a servant who tries to save you money. I said approvingly, "What kind of a person is he? I don"t want to get stuck with some real bore."

"You can see for yourself, Julius. He"s in the baths right now. He"s a Judaean. His name is Flavius Samuelus."

Five minutes later I had my clothes off and a sheet wrapped around me, and I was in the tepidarium, peering around at everybody there.

I picked Sam out at once. He was stretched out with his eyes closed while a ma.s.seur pummelled his fat old flesh. I climbed onto the slab next to his without speaking. When he groaned and rolled over, opening his eyes, I said, "h.e.l.lo, Sam."

It took him a moment to recognize me; he didn"t have his gla.s.ses in. But when he squinted hard enough his face broke out into a grin. "Julie!" he cried. "Small world! It"s good to see you again!"

And he reached out to clasp fists-over-elbows, really welcoming, just as I had expected; because one of the things I like best about Flavius Samuelus is that he likes me. One of the other things I like best about Sam is that, although he is a compet.i.tor, he is also an undepletable natural resource. He writes sci-roms himself. He does more than that. He has helped me with the science part of my own sci-roms any number of times, and it had crossed my mind as soon as I heard the Sicilian say his name that he might be just what I wanted in the present emergency.

Sam is at least seventy years old. His head is hairless. There"s a huge brown age spot on the top of his scalp. His throat hangs in a pouch of flesh, and his eyelids sag. But you"d never guess any of that if you were simply talking to him on the phone. He has the quick, chirpy voice of a twenty-year-old, and the mind of one, too - of an extraordinarily bright twenty-year-old. He gets enthusiastic.

That complicates things, because Sam"s brain works faster than it ought to. Sometimes that makes him hard to talk to, because he"s usually three or four exchanges ahead of most people. So the next thing he says to you is as likely as not to be the response to some question that you are inevitably going to ask, but haven"t yet thought of.

It is an unpleasant fact of life that Sam"s sci-roms sell better than mine do. It is a tribute to Sam"s personality that I don"t hate him. He has an unfair advantage over the rest of us, since he is a professional astronomer himself. He only writes sci-roms for fun, in his spare time, of which he doesn"t have a whole lot. Most of his working hours are spent running a s.p.a.ce probe of his own, the one that circles the Epsilon Eridani planet, Dione. I can stand his success (and, admit it! his talent) because he is generous with his ideas. As soon as we had agreed to share the hoverflight compartment, I put it to him directly. Well, almost directly. I said, "Sam, I"ve been wondering about something. When the Olympians get here, what is it going to mean to us?"

He was the right person to ask, of course; Sam knew more about the Olympians than anyone alive. But he was the wrong person to expect a direct answer from. He rose up, clutching his robe around him. He waved away the ma.s.seur and looked at me in friendly amus.e.m.e.nt, out of those bright black eyes under the flyaway eyebrows and the drooping lids. "Why do you need a new sci-rom plot right now he?" asked.

"h.e.l.ls," I said ruefully, and decided to come clean. "It wouldn"t be the first time I asked you, Sam. Only this time I really need it." And I told him the story of the novel the censors obstatted and the editor who was after a quick replacement - or my blood, choice of one.

He nibbled thoughtfully at the knuckle of his thumb. "What was this novel of yours about?" he asked curiously.

"It was a satire, Sam. An a.s.s" Olympiad. About the Olympians coming down to Earth in a matter transporter, only there"s a mix-up in the transmission and one of them accidentally gets turned into an a.s.s. It"s got some funny bits in it."

"It sure has, Julie. Has had for a couple dozen centuries."

"Well, I didn"t say it was altogether original only-"

He was shaking his head. "I thought you were smarter than that, Julie. What did you expect the censors to do, jeopardize the most important event in human history for the sake of a dumb sci-rom?"

"It"s not a dumb-"

"It"s dumb to risk offending them," he said, overruling me firmly. "Best to be safe and not write about them at all."

"But everybody"s been doing it!"

"n.o.body"s been turning them into a.s.ses," he pointed out. "Julie, there"s a limit to sci-rom speculation. When you write about the Olympians you"re right up at that limit. Any speculation about them can be enough reason for them to pull out of the meeting entirely, and we might never get a chance like this again."

"They wouldn"t-"

"Ah, Julie," he said, disgusted, "you don"t have any idea what they would or wouldn"t do. The censors made the right decision. Who knows what the Olympians are going to be like?"

"You do," I told him.

He laughed. There was an uneasy sound to it, though. "I wish I did. About the only thing we do know is that they don"t appear to be just any old intelligent race; they have moral standards. We don"t have any idea what those standards are, really. I don"t know what your book says, but maybe you speculated that the Olympians were bringing us all kinds of new things - a cure for cancer, new psychedelic drugs, even eternal life-"

"What kind of psychedelic drugs might they bring, exactly?" I asked.

"Down, boy! I"m telling you not to think about that kind of idea. The point is that whatever you imagined might easily turn out to be the most repulsive and immoral thing the Olympians can think of. The stakes are too high. This is a once-only chance. We can"t let it go sour."

"But I need a story," I wailed.

"Well, yes," he admitted, "I suppose you do. Let me think about it. Let"s get cleaned up and get out of here."

While we were in the hot drench, while we were dressing, while eating a light lunch, Sam chattered on about the forthcoming conference in Alexandria. I was pleased to listen. Apart from the fact that everything he said was interesting, I began to feel hopeful about actually producing a book for Mark. If anybody could help me, Sam could, and he was a problem addict. He couldn"t resist a challenge.

That was undoubtedly why he was the first to puzzle out the Olympians" interminably repeated squees and squabs. If you simply took the dit to be numeral one, and the squee to be plus sign, and the squab to be an equals sign, then "Dit squee dit squab dit dit" simply came out as "One plus one equals two."

That was easy enough. It didn"t take a super brain like Sam"s to subst.i.tute our terms for theirs and reveal the message to be simple arithmetic - except for the mysterious "wooooo": Dit squee dit squee dit squee dit squab wooooo.

What was the "wooooo" supposed to mean? A special convention to represent the numeral four?

Sam knew right away, of course. As soon as he heard the message he telegraphed the solution from his library in Padua: "The message calls for an answer. "Wooooo" means question mark. The answer is four."

And so the reply to the stars was transmitted on its way: Dit squee dit squee dit squee dit squab dit dit dit dit.

The human race had turned in its test paper in the entrance examination, and the slow process of establishing communication had begun.

It took four years before the Olympians responded. Obviously, they weren"t nearby. Also obviously, they weren"t simple folk like ourselves, sending out radio messages from a planet of a star two light-years away, because there wasn"t any star there; the reply came from a point in s.p.a.ce where none of our telescopes or probes had found anything at all.

By then Sam was deeply involved. He was the first to point out that the star folk had undoubtedly chosen to send a weak signal, because they wanted to be sure our technology was reasonably well developed before we tried to answer. He was one of the impatient ones who talked the collegium authorities into beginning transmission of all sorts of mathematical formulae, and then simple word relationships to start sending something to the Olympians while we waited for radio waves to creep to wherever they were and back with an answer.

Sam wasn"t the only one, of course. He wasn"t even the princ.i.p.al investigator when they got into the hard work of developing a common vocabulary. There were better specialists than Sam at linguistics and crypta.n.a.lysis.

But it was Sam who first noticed, early on, that the response time to our messages was getting shorter. Meaning that the Olympians were on their way towards us.

By then they"d begun sending picture mosaics. They came in as strings of dits and dahs, 550,564 bits long. Someone quickly figured out that that was the square of 742, and when they displayed the string as a square matrix, black cells for the dits and white ones for the dahs, the image of the first Olympian leaped out.

Everybody remembers that picture. Everyone on Earth saw it, except for the totally blind - it was on every broadcast screen and news journal in the world - and even the blind listened to the atomical descriptions every commentator supplied. Two tails. A fleshy, beard-like thing that hung down from its chin. Four legs. A ruff of spikes down what seemed to be the backbone. Eyes set wide apart on bulges from the cheekbones.

That first Olympian was not at all pretty, but it was definitely alien.

When the next string turned out very similar to the first, it was Sam who saw at once that it was simply a slightly rotated view of the same being. The Olympians took forty-one pictures to give us the complete likeness of that first one in the round . . .

Then they began sending pictures of the others.

It had never occurred to anyone, not even Sam, that we would be dealing not with one super race, but with at least twenty-two of them. There were that many separate forms of alien beings, and each one uglier and more strange than the one before.

That was one of the reasons the priests didn"t like calling them Olympians. We"re pretty ec.u.menical about our G.o.ds, but none of them looked anything like any of those, and some of the older priests never stopped muttering about blasphemy.

Halfway through the third course of our lunch and the second flask of wine, Sam broke off his description of the latest communique from the Olympians - they"d been acknowledging receipt of our transmissions about Earthly history - to lift his head and grin at me.

"Got it," he said.

I turned and blinked at him. Actually, I hadn"t been paying a lot of attention to his monologue because I had been keeping my eye on the pretty Kievan waitress. She had attracted my attention because - well, I mean, after attracting my attention because of her extremely well-developed figure and the sparsity of clothing to conceal it - because she was wearing a gold citizen"s amulet around her neck. She wasn"t a slave. That made her more intriguing. I can"t ever get really interested in slave women, because it isn"t sporting, but I had got quite interested in this woman.

"Are you listening to me?" Sam demanded testily.

"Of course I am. What have you got?"