Surplus slumped against the smooth bronze, and wearily asked, "Where did you get that modem?" "

"From a dealer of antiquities." Darger wiped his brow with his kerchief. "It was transparently worthless. Whoever would dream it could be repaired?"

Outside, the screaming ceased. There was a very brief silence. Then the creature flung itself against one of the metal doors. It rang with the impact.

A delicate girlish voice wearily said, "What is this noise?"

They turned in surprise and found themselves looking up at the enormous corpus of Queen Gloriana.

She lay upon her pallet, swaddled in satin and lace, and abandoned by all, save her valiant (though doomed) guardian apes. A pervasive yeasty smell emanated from her flesh. Within the tremendous folds of chins by the dozens and scores was a small human face. Its mouth moved delicately and asked, "What is trying to get in?"

The door rang again. One of its great hinges gave.

Darger bowed. "I fear, madame, it is your death."

"Indeed?" Blue eyes opened wide and, unexpectedly, Gloriana laughed. "If so, that is excellent good news. I have been praying for death an extremely long time." "Can any of G.o.d"s creations truly pray for death and mean it?" asked Darger, who had his philosophical side. "I have known unhappiness myself, yet even so life is precious to me."

"Look at me!" Far up to one side of the body, a tiny arm-though truly no tinier than any woman"s arm-waved feebly. "I am not G.o.d"s creation, but Man"s. Who would trade ten minutes of their own life for a century of mine? Who, having mine, would not trade it all for death?"

A second hinge popped. The doors began to shiver. Their metal surfaces radiated heat.

"Darger, we must leave!" Surplus cried. "There is a time for learned conversation, but it is not now."

"Your friend is right," Gloriana said. "There is a small archway hidden behind yon tapestry. Go through it. Place your hand on the left wall and run. If you turn whichever way you must to keep from letting go of the wall, it will lead you outside. You are both rogues, I see, and doubtless deserve punishment, yet I can find nothing in my heart for you but friendship."

"Madame...." Darger began, deeply moved.

"Go! My bridegroom enters."

The door began to fall inward. With a final cry of "Farewell!" from Darger and "Come on!" from Surplus, they sped away.

By the time they had found their way outside, all of Buckingham Labyrinth was in flames. The demon, however, did not emerge from the flames, encouraging them to believe that when the modem it carried finally melted down, it had been forced to return to that unholy realm from whence it came.

The sky was red with flames as the sloop set sail for Calais. Leaning against the rail, watching, Surplus shook his head. "What a terrible sight! I cannot help feeling, in part, responsible."

"Come! Come!" Darger said. "This dyspepsia ill becomes you. We are both rich fellows, now! The Lady Pamela"s diamonds will maintain us lavishly for years to come. As for London, this is far from the first fire it has had to endure. Nor will it be the last. Life is short, and so, while we live, let us be jolly!"

"These are strange words for a melancholiac," Surplus said wonderingly.

"In triumph, my mind turns its face to the sun. Dwell not on the past, dear friend, but on the future that lies glittering before us."

"The necklace is worthless," Surplus said. "Now that I have the leisure to examine it, free of the distracting flesh of Lady Pamela, I see that these are not diamonds, but mere imitations." He made to cast the necklace into the Thames.

Before he could, though, Darger s.n.a.t.c.hed away the stones from him and studied them closely. Then he threw back his head and laughed. "The biters bit! Well, it may be paste, but it looks valuable still. We shall find good use for it in Paris."

"We are going to Paris?"

"We are partners, are we not? Remember that antique wisdom that whenever a door closes, another opens? For every city that burns, another beckons. To France, then, and adventure! After which, Italy, the Vatican Empire, Austro-Hungary, perhaps even Russia! Never forget that you have yet to present your credentials to the Duke of Muscovy."

"Very well," Surplus said. "But when we do, I"ll pick out the modem."

The Building

URSULA K. LE GUIN.

Ursula K. Le Guin [www.ursulakleguin.com] is one of the finest living SF and fantasy writers.

She also writes poetry, mainstream fiction, children"s books, and literary essays, has published a good book on how to write narrative fiction and nonfiction, and co-edited the Norton Book of Science Fiction, an influential anthology. She has published seventeen novels and eight short story collections to date. She is one of the leading feminists in SF, and in recent years a supporter of the James Tiptree, Jr. Awards, named in honor of Le Guin"s peer and friend Alice Bradley Sheldon"s SF pseudonym. Le Guin"s work is widely read outside the SF field, and she is taken seriously as a contemporary writer. In recent years she has published a number of distinguished short stories,and in 2000 not only did she continue to do that, but also published her first SF novel in more than ten years, The Telling. Recent publications include two books of Earthsea, Tales from Earthsea and a novel, The Other Wind (both 2001), and a collection of science fiction, The Birthday of the World (2002).

"The Building," from Red Shift, is a Le Guin fictional ethnography along the lines of her cla.s.sic, "The Author of the Acacia Seeds." The "unteachable" humanoid race, the Aq, is compelled by unknown forces to build, by hand, an enormous stone building over the course of three or four thousand years.

On Qoq there are two rational species. The Adaqo are stocky, greenish-tan-colored humanoids who, after a period of EEPT (explosive expansion of population and technology) four to five thousand years ago, barely survived the ensuing ecocastrophe. They have since lived on a modest scale, vastly reduced in numbers and more interested in survival than dominion.

The Aq are taller and a little greener than the Adaqo. The two species diverged from a common simioid ancestor, and are quite similar, but cannot interbreed. Like all species on Qoq, except a few pests and the insuperable and indifferent bacteria, the Aq suffered badly during and after the Adaqo EEPT.

Before it, the two species had not been in contact. The Aq inhabited the southern continent only. As the Adaqo population escalated, they spread out over the three land ma.s.ses of the northern hemisphere, and as they conquered their world, they incidentally conquered the Aq.

The Adaqo attempted to use the Aq as slaves for domestic or factory work, but failed. The historical evidence is shaky, but it seems the Aq, though unaggressive, simply do not take orders from anybody.

During the height of the. EEPT, the most expansive Adaqo empires pursued a policy of slaughtering the "primitive" and "unteachable" Aq in the name of progress. Less b.l.o.o.d.y-minded civilizations of the equatorial zone merely pushed the remnant Aq populations into the deserts and barely habitable canebrakes of the coast. There a thousand or so Aq survived the destruction and final crash of the planet"s life-web.

Descent from this limited genetic source may help explain the prevalence of certain traits among the Aq, but the cultural expression of these tendencies is inexplicable in its uniformity. We don"t know much about what they were like before the crash, but their reputed refusal to carry out the other species" orders might imply that they were already, as it were, working under orders of their own.

As for the Adaqo, their numbers have risen from perhaps a hundred thousand survivors of the crash to about two million, mostly on the central north and the south continents. They live in small cities, towns, and farms, and carry on agriculture and commerce; their technology is efficient but modest, limited both by the exhaustion of their world"s resources and by strict religious sanctions.

The present-day Aq number about forty thousand, all on the south continent. They live as gatherers and fishers, with some limited, casual agriculture. The only one of their domesticated animals to survive the die-offs is the boos, a clever creature descended from pack-hunting carnivores. The Aq hunted with boos when there were animals to hunt. Since the crash, they use the boos to carry or haul light loads, as companions, and in hard times as food.

Aq villages are movable; their houses, from time immemorial, have consisted of fabric domes stretched on a frame of light poles or canes, easy to set up, dismantle, and transport. The tall cane which grows in the swampy lakes of the desert and all along the coasts of the equatorial zone of the southern continent is their staple; they gather the young shoots for food, spin and weave the fiber into cloth, and make rope, baskets, and tools from the stems. When they have used up all the cane in a region they pick up the village and move on. The caneplants regenerate from the root system in a few years.

They have kept pretty much to the desert-and-canebrake habitat enforced upon them by the Adaqo in earlier millennia. Some, however, camp around outside Adaqo towns and engage in a little barter and filching. The Adaqo trade with them for their fine canvas and baskets, and tolerate their thievery to a surprising degree. Indeed the Adaqo att.i.tude to the Aq is hard to define. Wariness is part of it; a kind of unease that is not suspicion or distrust; a watchfulness that, surprisingly, stops short of animosity or contempt, and may even become conciliating, as if the uneasiness were located in the Adaqo conscience.

It is even harder to say what the Aq think of the Adaqo. They communicate in a pidgin or jargon containing elements from both Adaqo and Aq languages, but it appears that no individual ever learns the other species" language. The two species seem to have settled on coexistence without relationship. They have nothing to do with each other except for these occasional, slightly abrasive contacts at the edges of Adaqo settlements-and a certain limited, strange collaboration having to do with what I can only call the specific obsession of the Aq.

I am not comfortable with the phrase "specific obsession," but "cultural instinct" is worse.

At about two and a half or three years old, Aq babies begin building. Whatever comes into their little greeny-bronze hands that can possibly serve as a block or brick they pile up into "houses." The Aq use the same word for these miniature structures as for the fragile cane-and-canvas domes they live in, but there is no resemblance except that both are roofed enclosures with a door. The children"s "houses" are rectangular, flat-roofed, and always made of solid, heavy materials. They are not imitations of Adaqo houses, or only at a very great remove, since most of these children have never seen an Adaqo building or a representation of one.

It is hard to believe that they imitate one another with such unanimity that they never vary the plan; but it is harder to believe that their building style, like that of insects, is innate.

As the children get older and more skillful they build larger constructions, though still no more than knee-high, with pa.s.sages, courtyards, and sometimes towers. Many children spend all their free time gathering rocks or making mud bricks and building "houses." They do not populate their buildings with toy people or animals or tell stories about them. They just build them, with evident pleasure and satisfaction. By the age of six or seven some children begin to leave off building, but others go on working together with other children, often under the guidance of interested adults, to make "houses" of considerable complexity, though still not large enough for anyone to live in. The children do not play in them.

When the village picks up and moves to a new gathering-ground or canebrake, these children leave their constructions behind without any sign of distress, and as soon as they are settled begin building again, often cannibalizing stones or bricks from the "houses" of a previous generation left on the site.

Popular gathering sites are marked by dozens or hundreds of solidly built miniature ruins, populated only by the joint-legged gikoto of the marshes or the little ratlike hikiqi of the desert.

No such ruins have been found in areas where the Aq lived before the Adaqo conquest-an indication that their propensity to build was less strong, or didn"t exist, before the conquest or before the crash.

Two or three years after their ceremonies of adolescence some of the young people, those who went on building "houses" until they reached p.u.b.erty, will go on their first stone faring.

A stone faring sets out once a year from the Aq territories. The complete journey takes from two to three years, after which the travelers return to their natal village for five or six years. Some Aq never go stone faring, others go once, some go several or many times in their life.

The route of the stone farings is to the coast of Riqim, on the northeast continent, and back to the Mediro, a rocky plateau far inland from the southernmost canebrakes of the great south continent.

The Aq stone farers gather in spring, coming overland or by caneraft from their various villages to Gatbam, a small port near the equator on the west coast of the south continent. There a fleet of cane-and-canvas sailboats awaits them. The sailors and navigators are all Adaqo, most of them from towns of the northwest coast. They are professional sailors, mostly fishermen; some of them "sail the faring" every year for decades. The Aq pilgrims have nothing to pay them with, arriving with provisions for the journey but nothing else. While at Riqim, the Adaqo sailors will net and salt fish from those rich waters, a catch which makes their journey profitable. But they never go to fish off Riqim except with the stone-faring fleet.

The journey takes several weeks. The voyage north is the dangerous one, made early in the year sothat the return voyage, carrying the cargo, may be made at the optimal time. Now and then boats or even whole fleets are lost in the wild tropical storms of that wide sea.

As soon as they disembark on the stony sh.o.r.es of Riqim, the Aq get to work. Under the direction of senior stone farers, the novices set up domed tents, store their spa.r.s.e provisions, take up the tools left there by the last pilgrimage, and climb the steep green cliffs to the quarries.

Riqimite is a l.u.s.trous, fine-textured, greenish stone with a tendency to cleave along a plane. It can be sawed in blocks or split into stone "planks" or smaller "tiles" and even into sheets so thin they are translucent. Though relatively light, it is stone, and a ten-meter canvas sailboat can"t carry great quant.i.ties of it; so the stone farers carefully gauge the amount they quarry. They roughshape the blocks at Riqim and even do some of the fine cutting, so that the boats carry as little waste as possible. They work fast, since they want to start home in the calm season around the solstice. When their work is complete they run up a flag on a high pole on the cliffs to signal the fleet, which comes in boat by boat over the next few days. They load the stone aboard under the tubs of salted fish and set sail back south.

The boats put in at various Adaqo ports, usually the crew"s home port, to unload and sell their fish; then they all sail on several hundred kilometers down the coast to Gazt, a long, shallow harbor in the hot marshlands south of the canebrake country. There the sailors help the Aq unload the stone. They receive no payment for or profit from this part of the trip. I asked a shipmaster who had "sailed the faring" many times why she and her sailors were willing to make the trip to Gazt. She shrugged. "It"s part of the agreement," she said, evidently not having thought much about it, and after thinking, added, "Be an awful job to drag that stone overland through the marshes."

Before the boats have sailed halfway back to the harbor mouth, the Aq have begun loading the stone onto wheeled flatbed carts left on the docks of Gazt by the last stone faring.

Then they get into harness and haul these carts five hundred kilometers inland and three thousand meters upward.

They go at most three or four kilometers a day. They encamp before evening and fan out from the trails to forage and set snares for hiqiki, since by now their supplies are low. The cart train tends to follow the least recently used of the several winding trails, because the hunting and gathering will be better along it.

During the sea voyages and at Riqim the mood of the stone farers tends to be solemn and tense. They are not sailors, and the labor at the quarries is hard and driven. Hauling carts by shoulder-harness is certainly not light work either, but the pilgrims take it merrily; they talk and joke while hauling, share their food and sit talking around their campfires, and behave like any group of people engaged willingly in an arduous joint enterprise.

They discuss which path to take, and wheel-mending techniques, and so on. But when I went with them I never heard them talk in the larger sense about what they were doing, their journey"s goal.

All the paths finally have to surmount the cliffs at the edge of the plateau. As they come up onto the level after that terrible last grade, the stone farers stop and gaze to the southeast. One after another the long, flat carts laden with dusty stone buck and jerk up over the rim and stop. The haulers stand in harness, gazing silent at the Building.

After a thousand years or so of the long, slow recovery of the shattered ecosystem, enough Aq began to have enough food to have enough energy for activities beyond forage and storage. It was then, when bare survival was still chancy, that they began the stone faring. So few, in such an inimical world, the atmosphere damaged, the great cycles of life not yet reestablished in the poisoned and despoiled oceans, the lands full of bones, ghosts, ruins, dead forests, deserts of salt, of sand, of chemical waste-how did the inhabitants of such a world think of undertaking such a task? How did they know the stone they wanted was at Riqim? How did they know where Riqim was? Did they originally make their way there somehow without Adaqo boats and navigators? The origins of the stone faring are absolutely mysterious, but no more mysterious than its object. All we know is that every stone in the Building comes from the quarries of Riqim, and that the Aq have been building it for over three thousand, perhaps four thousand years.

It is immense, of course. It covers many acres and contains thousands of rooms, pa.s.sages, andcourts. It is certainly one of the largest edifices, perhaps the largest single one, on any world. And yet declarations of size, counts and measures, comparisons and superlatives, are meaningless, the fact being that a technology such as that of contemporary Earth, or the ancient Adaqo, could have built a building ten times bigger in ten years.

It is possible that the ever-increasing vastness of the Building is a metaphor or ill.u.s.tration of precisely such a moral enormity.

Or its size may be purely, simply, a result of its age. The oldest sections, far inside its outermost walls, show no indication that they were-or were not-seen as the beginning of something immense. They are exactly like the Aq children"s "houses" on a larger scale. All the rest of the Building has been added on, year by year, to this modest beginning, in much the same style. After perhaps some centuries the builders began to add stories onto the flat roofs of the early Building, but have never gone above four stories, except for towers and pinnacles and the airy barrel-domes that reach a height of perhaps sixty meters.

The great bulk of the Building is no more than five to six meters high. Inevitably it has kept growing outward laterally, by way of ells and wings and joining arcades and courtyards, until it covers so vast an area that from a distance it looks like a fantastic terrain, a low mountain landscape all in silvery green stone.

Although not dwarfed like the children"s structures, curiously enough the Building is not quite full scale, taking the average height of an Aq as measure. The ceilings are barely high enough to allow them to stand straight, and they must stoop to pa.s.s through the doors.

No part of the Building is ruined or in disrepair, though occasional earthquakes shake the Mediro plateau. Damaged areas are repaired annually, or furnished stone to rebuild with.

The work is fine, careful, sure, and delicate. No material is used but riqimite, mortised and tenoned like wood, or set in exquisitely fitted blocks and courses. The indoor surfaces are mostly finished satin smooth, the outer faces left in contrasting degrees of roughness and smoothness. There is no carving or ornamentation other than thin moldings or incised lines repeating and outlining the architectural shapes.

Windows are unglazed stone lattices or pierced stone sheets cut so thin as to be translucent. The repet.i.tive rectangular designs of the latticework are elegantly proportioned; a ratio of four to five runs through many though not all of the Building"s rooms and apertures. Doors are thin stone slabs so well balanced and pivoted that they swing lightly and smoothly open and shut. There are no furnishings.

Empty rooms, empty corridors, miles of corridors, endlessly similar, stairways, ramps, courtyards, roof terraces, delicate towers, vistas over the roofs of roof beyond roof, tower beyond tower, dome beyond dome to the far distance; high rooms lighted by great lacework windows or only by the dim, greenish, mottled translucency of windowpanes of stone, corridors that lead to other corridors, other rooms, stairs, ramps, courtyards, corridors.... Is it a maze, a labyrinth? Yes, inevitably; but is that what it was built to be?

Is it beautiful? Yes, in a way, wonderfully beautiful; but is that what it was built to be?

The Aq are a rational species. Answers to these questions must come from them. The troubling thing is that they have many different answers, none of which seems quite satisfying to them or anyone else.

In this they resemble any reasonable being who does an unreasonable thing and justifies it with reasons. War, for example. My species has a great many good reasons for making war, though none of them is as good as the reason for not making war. Our most rational and scientific justifications-for instance, that we are an aggressive species-are perfectly circular: we make war because we make war.

This is not really satisfying to the reasonable mind. Our justifications for making a particular war (such as: our people must have more land and more wealth, or: our people must have more power, or: our people must obey our deity"s orders to crush the heinous sacrilegious infidel) all come down to the same thing: we must make war because we must. We have no choice. We have no freedom. This is not ultimately satisfactory to the reasoning mind, which desires freedom.

In the same way the efforts of the Aq to explain or justify their building and their Building all invoke a necessity which doesn"t seem all that necessary and use reasons which meet themselves coming around.

We go stone faring because we have always done it. We go to Riqim because the best stone is there.

The Building is on the Mediro because the ground"s good and there"s room for it there. The Building is agreat undertaking, which our children can look forward to and our finest men and women can work together on. The stone faring brings people from all our villages together. We were only a poor scattered people in the old days, but now the Building shows that there is a great vision in us.-All these reasons make sense but don"t quite convince, don"t satisfy.

Perhaps the questions should be asked of those Aq who never have gone stone faring. They don"t themselves question the stone faring. They speak of the stone farers as people doing something brave, difficult, worthy, perhaps sacred. So why have you never gone yourself?-Well, I never felt the need to.

People who go, they have to go, they"re called to it.

What about the other people, the Adaqo? What do they think about this immense structure, certainly the greatest enterprise and achievement on their world at this time? Very little, evidently. Even the sailors of the stone faring never go up onto the Mediro and know nothing about the Building except that it is there and is very large. Adaqo of the northwest continent know it only as rumor, fable, travelers"

tales-the Palace of the Mediro on the Great South Continent. Some tales say the King of the Aq lives there in unimaginable splendor; others that it is a tower taller than the mountains, in which eyeless monsters dwell; others that it is a maze where the unwary traveler is lost in endless corridors full of bones and ghosts; others say that the winds blowing through it moan in huge chords like a vast aeolian harp, which can be heard for hundreds of miles; and so on. To the Adaqo it is a legend, like their own legends of the Ancient Times when their mighty ancestors flew in the air and drank rivers dry and turned forests into stone and built towers taller than the sky, and so on. Fairy tales.

Now and then an Aq who has been stone faring will say something different about the Building. If asked about it, some of them reply: "It is for the Adaqo."

And indeed the Building is better proportioned to the short stature of the Adaqo than to the tall Aq.

The Adaqo, if they ever went there, could walk through the corridors and doorways upright.

An old woman of Katas, who had been five times a stone farer, was the first who gave me that answer.

"For the Adaqo?" I said, taken aback. "But why?"

"Because of the old days."

"But they never go there."

"It isn"t finished," she said.

"A retribution?" I asked, puzzling at it. "A recompense?"

"They need it," she said.